Archaeologists have discovered numerous ceramic or clay whistles at Aztec sites, dubbed "death whistles" because of their distinctive skull shapes. A new paper published in the journal Communications Psychology examines the acoustical elements of the unique shrieking sounds produced by those whistles, as well as how human listeners are emotionally affected by the sounds. The findings support the hypothesis that such whistles may have been used in Aztec religious rituals or perhaps as mythological symbols.

Archaeologists unearthed the first Aztec death whistles, also known as ehecachichtlis, in 1999 while excavating the Tlatelolco site in Mexico City. They found the body of a sacrificial victim, a 20-year-old male who had been beheaded, at the base of the main stairway of a temple dedicated to the wind god Ehecatl. The skeleton was clutching two ceramic skull-shaped whistles, one in each hand, along with other artifacts. More skull whistles were subsequently found, and they've found their way into popular culture. For instance, in Ghostbusters: Afterlife (2021), Egon Spengler had such a whistle in his secret laboratory collection.

Scholars have puzzled over the purpose of the skull whistles, although given the dearth of concrete evidence, most suggestions are highly speculative. One hypothesis is that it was used in battle, with hundreds of warriors blowing their whistles simultaneously as a battle cry. Music archaeologist Arnd Adje Both has dismissed that idea, suggesting instead that the whistle's purpose was more likely tied to ceremonial or religious practices, like human sacrifice. Yet another hypothesis proposes that the whistles were intended as symbols of a deity. The skull shape, for instance, might allude to the Aztec god of the underworld, Mictlantecuhtli.

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In 2014, researchers monitoring acoustic recordings from the Mariana Archipelago picked up an unusual whale vocalization with both low- and high-frequency components. It seemed to be a whale call, but it sounded more mechanical than biological and has since been dubbed a "biotwang."

Now a separate team of scientists has developed a machine-learning model to scan a dataset of recordings of whale vocalizations from various species to help identify the source of such calls. Combining that analysis with visual observations allowed the team to identify the source of the biotwang: a species of baleen whales called Bryde's (pronounced "broodus") whales. This should help researchers track populations of these whales as they migrate to different parts of the world, according to a recent paper published in the journal Frontiers in Marine Science.

Marine biologists often rely on a powerful tool called passive acoustic monitoring for long-term data collection of the ocean's acoustic environment, including whale vocalizations. Bryde's whale calls tend to be regionally specific, per the authors. For instance, calls in the eastern North Pacific are pretty well documented, with frequencies typically falling below 100 Hz, augmented by harmonic frequencies as high as 400 Hz. Far less is known about the sounds made by Bryde's whales in the western and central North Pacific, since for many years there were only three known recordings of those vocalizations—including a call dubbed "Be8" (starting at 45 Hz with multiple harmonics) and mother-calf calls.

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In 2014, researchers monitoring acoustic recordings from the Mariana Archipelago picked up an unusual whale vocalization with both low- and high-frequency components. It seemed to be a whale call, but it sounded more mechanical than biological and has since been dubbed a "biotwang."

Now a separate team of scientists has developed a machine-learning model to scan a dataset of recordings of whale vocalizations from various species to help identify the source of such calls. Combining that analysis with visual observations allowed the team to identify the source of the biotwang: a species of baleen whales called Bryde's (pronounced "broodus") whales. This should help researchers track populations of these whales as they migrate to different parts of the world, according to a recent paper published in the journal Frontiers in Marine Science.

Marine biologists often rely on a powerful tool called passive acoustic monitoring for long-term data collection of the ocean's acoustic environment, including whale vocalizations. Bryde's whale calls tend to be regionally specific, per the authors. For instance, calls in the eastern North Pacific are pretty well documented, with frequencies typically falling below 100 Hz, augmented by harmonic frequencies as high as 400 Hz. Far less is known about the sounds made by Bryde's whales in the western and central North Pacific, since for many years there were only three known recordings of those vocalizations—including a call dubbed "Be8" (starting at 45 Hz with multiple harmonics) and mother-calf calls.

Read full article

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