The very premise of "Suburban Fury," with Moore, during the interviews, posed in ironic period backdrops like the rear seat of a '70s station wagon, makes her seem a classic performative personality — a woman who descended into the darkness out of a need for attention. What’s odd about "Suburban Fury," even as it holds you with rapt authority, is that the film’s point-of-view is so limited to Sara Jane Moore’s rationalization of her own life that the movie seems, by the end, almost flirts with endorsing her defense of her actions: that she tried to kill the president as a skewed trigger for social justice.

New York based distributor Several Futures has acquired Pierre Creton and Vincent Barré’s “7 Walks With Mark Brown” which just had its U.S. premiere at the New York Film Festival. The documentary feature follows paleobotanist Mark Brown through Normandy as he identifies the rare flora of the region. Creton is best known for directing last year’s […]