There is rarely time to write about every cool science paper that comes our way; many worthy candidates sadly fall through the cracks over the course of the year. But as 2024 comes to a close, we've gathered ten of our favorite such papers at the intersection of science and culture as a special treat, covering a broad range of topics: from reenacting Bronze Age spear combat and applying network theory to the music of Johann Sebastian Bach, to Spider-Man inspired web-slinging tech and a mathematical connection between a turbulent phase transition and your morning cup of coffee. Enjoy!
An experiment with experienced fighters who spar freely using different styles.
Credit:
Valerio Gentile/CC BY
The European Bronze Age saw the rise of institutionalized warfare, evidenced by the many spearheads and similar weaponry archaeologists have unearthed. But how might these artifacts be used in actual combat? Dutch researchers decided to find out by constructing replicas of Bronze Age shields and spears and using them in realistic combat scenarios. They described their findings in an October paper published in the Journal of Archaeological Science.
There have been a couple of prior experimental studies on bronze spears, but per Valerio Gentile (now at the University of Gottingen) and coauthors, practical research to date has been quite narrow in scope, focusing on throwing weapons against static shields. Coauthors C.J. van Dijk of the National Military Museum in the Netherlands and independent researcher O. Ter Mors each had more than a decade of experience teaching traditional martial arts, specializing in medieval polearms and one-handed weapons. So they were ideal candidates for testing the replica spears and shields.
© APS/Carin Cain
We’d been chatting for the better part of two hours when Chris Kraft’s eyes suddenly brightened. “Hey,” he said, “Here’s a story I’ll bet you never heard.” Kraft, the man who had written flight rules for NASA at the dawn of US spaceflight and supervised the Apollo program, had invited me to his home south of Houston for one of our periodic talks about space policy and space history. As we sat in recliners upstairs, in a den overlooking the Bay Oaks Country Club, Kraft told me about a time the space shuttle almost got canceled.
It was the late 1970s, when Kraft directed the Johnson Space Center, the home of the space shuttle program. At the time, the winged vehicle had progressed deep into a development phase that started in 1971. Because the program had not received enough money to cover development costs, some aspects of the vehicle (such as its thermal protective tiles) were delayed into future budget cycles. In another budget trick, NASA committed $158 million in fiscal year 1979 funds for work done during the previous fiscal year.
This could not go on, and according to Kraft the situation boiled over during a 1978 meeting in a large conference floor on the 9th floor of Building 1, the Houston center’s headquarters. All the program managers and other center directors gathered there along with NASA’s top leadership. That meeting included Administrator Robert Frosch, a physicist President Carter had appointed a year earlier.
© NASA
Whether it’s braving the long line at a trendy new restaurant or hanging on just a few minutes longer to see if there’s a post-credits scene after a movie, the decision to persevere or ditch it depends on specific regions of our brains.
Waiting is not always about self-control. Deciding to wait (or not to wait) also involves gauging the value of the potential reward. In an experiment that investigated wait times among people with lesions in the frontal cortex of the brain, University of Pennsylvania psychologist Joe Kable and his research team found that subjects with damage to certain regions of the prefrontal cortex were less likely to wait things out.
“[Our] findings suggest that regions of the frontal cortex make computationally distinct contributions to adaptive persistence,” he and his team said in a study recently published in the Journal of Neuroscience.
© Yellow Dog Productions via Getty
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