In Rusudan Glurjidze’s weathered, wintry sophomore feature “The Antique,” the title could refer to any number of withering relics: the handsome, richly patinaed items of furniture that Georgian immigrant Medea (Salome Demuria) illegally imports from her homeland to Russia to sell; the once-grand but disintegrating Saint Petersburg apartment that she buys at a reduced price, […]