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Today — 30 October 2024Main stream

Like Keri Russell’s Heroine, ‘The Diplomat’ Season 2 Thrives Under Pressure: TV Review

30 October 2024 at 07:01
“The Diplomat,” the hit Netflix drama starring Keri Russell as a career stateswoman, has an ever-shifting tone that keeps you on your toes. Creator Debora Cahn is an alumnus of “The West Wing” and “Homeland”; sure enough, “The Diplomat” has the latter’s international intrigue and the former’s zippy workplace patter. But there’s also a hint […]

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Billy Crystal Drama ‘Before’ Is a Stagnant, Repetitive Mess: TV Review

25 October 2024 at 13:15
The promotional materials for “Before” describe the Apple TV+ thriller as “atmospheric,” which is a euphemistic way of saying the 10-part season is a lot of vamping for precious little payoff. Even with half-hour episodes, several coming in under the 25-minute mark, this drama still manages to drag, endlessly repeating the same setups and visual […]

‘Young Sheldon’ Sequel ‘Georgie & Mandy’s First Marriage’ Is a Reversion to Form for Chuck Lorre: TV Review

17 October 2024 at 14:00
“I like laughin’ shows,” Georgie Cooper (Montana Jordan) declares in the opening scene of “Georgie & Mandy’s First Marriage.” “Some shows you can hear people laughin’, and some you can’t. ‘The Wonder Years’ — no one’s laughin’. Is it funny? We’ll never know!” Georgie makes this observation while watching “Frasier,” a bit of ambient exposition that […]

‘Shrinking’ Season 2 All but Abandons Its Premise for a Shapeless Hangout: TV Review

16 October 2024 at 14:15
The Apple TV+ dramedy “Shrinking” is — or at least, was — about a therapist, Jimmy Laird (Jason Segel), throwing professional ethics out the window in the wake of his wife’s tragic death. Whatever one thought of how the show portrayed therapy, and plenty were appalled by the idea that doctor-patient boundaries are more annoying […]

Cate Blanchett and Alfonso Cuarón’s ‘Disclaimer’ Is a Failed Attempt at a Feminist Thriller: TV Review

11 October 2024 at 14:15
No one films the ocean as a proxy for emotional extremes like Alfonso Cuarón. In films like “Children of Men,” “Gravity” and “Roma,” the Mexican director — often in conjunction with Oscar-winning cinematographer Emmanuel Lubezki — makes roiling waves a metaphor for everything from rebirth to safety to cathartic rebirth. In this respect, the new Apple TV+ […]

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