There’s an enormous amount to describe, but very little to actually say about Kevin Costner’s bedraggled “Horizon: An American Saga – Chapter 2,” the second of a planned four installments in his sprawling, multistranded western, that plays, after “Chapter 1″‘s muted reception in Cannes, out of competition on the final day of Venice. Doubling down […]

Porn king Riccardo Schicchi was, according to Giulia Louise Steigerwalt’s bubbly, shallow “Diva Futura,” named after Schicchi’s now-defunct multimedia adult-entertainment enterprise, a really sweet guy.  Moreover, the film insists, his vision for pornography was similarly wholesome: a means to liberate prudish late-20th century Italian society by celebrating the beauty of women as he saw it […]

Though doubtless a crucial aspect of many of the most dramatic occurrences in human history, letter-writing is not the most cinematic of activities. And so it unfortunately proves once again in Fabio Grassadonia and Antonio Piazza’s “Sicilian Letters,” a heavily fictionalized riff on a real-life mafia tale, which sets up a battle of wits between […]

With head bowed, over clasped hands, Italian director Maura Delpero’s quietly breathtaking “Vermiglio” unfolds from tiny tactile details of furnishings and fabrics and the hide of a dairy cow, into a momentous vision of everyday rural existence in the high Italian Alps. Far away, the Second World War is ending — an earthshaking event felt […]

Walter Salles’ deeply poignant “I’m Still Here,” the Brazilian director’s return to his homeland and to the filmmaking form that yielded his Oscar-nominated “Central Station,” begins where maybe every movie set in Rio de Janeiro should: at the beach. A stray dog disturbs a game of volleyball. Girls dab Coca-cola onto their skin as tanning […]

Erratic, prolific Japanese director Kiyoshi Kurosawa (“Pulse,” “Cure”) has, at his best, a peculiar genius for finding strangeness — often malevolence — gathering like dust in the shadowy corners of banal modern life. With “Cloud,” which has just been announced as Japan’s International Oscar submission, the filmmaker gives that impulse a compellingly enigmatic update, turning […]

1918 in Italy was, a title reminds us, “the year of victory.” Yet the first images in Gianni Amelio’s WWI-set “Battleground” are anything but triumphal: a pile of bloodied soldiers’ bodies glinting wetly in the moonlight; a scavenger pilfering the wallets of the dead; a blanket thrown over a survivor whose gibbering shellshock makes him […]